Whisky Magazine Issue 133
This article is 11 months old and some information provided may be time sensitive. Please check all details of events, tours, opening times and other information before travelling or making arrangements.
Copyright Whisky Magazine © 1999-2016. All rights reserved. To use or reproduce part or all of this article please contact us for details of how you can do so legally.
There's a vinyl revolution in the air
In a new series of features, Editor-at-Large Neil Ridley explores the relationship between music and whisky, beginning with a curious look at the Aberlour Voice-o-Graph.
Like whisky, music is a wonderfully subjective arena, which sparks passionate debate, settles scores and ultimately brings people together. Throw them both together in the same room and something truly extraordinary happens: Our senses become more attuned and entwined; introspective pieces of music relax our mood and help us concentrate on the depth of flavour and aroma in a whisky. More energetic pieces sharpen our ability to focus on specific elements: light-and-shade, complexity and simplicity.
For many, the ritual of playing a piece of vinyl has more than its fair share of similarities to that of pouring their favourite whisky. Each shares a certain amount of ritual and reverence. There is a hugely tangible aspect to the process of taking a piece of vinyl from its sleeve and placing it on the turntable – and in turn, the un-corking and measuring out of a generous dram, whilst deciding whether to add a dash of water or not.
Rather like the resurgence of interest in whisky worldwide, vinyl sales are currently at an 18 year high. Half a decade ago, sales were worth £3 million a year in the UK. Now they are approaching nearly £20 million a year, so all the indications are there that the format is truly back from the grave. Whisky companies have noticed this and many brands, from The Balvenie, Au...